Mapping the Unknown/Above and Below
This body work, completed over eight years, explores the landscape as metaphor for human experience. The impetus was my experience as artist in residence for two months in a small community in Northern Iceland. I had also recently lost my first wife after 36 years of marriage.
The studio in Iceland was situated on the coastline of the Arctic Ocean allowing for expansive views during my daily walk to and from my house. I began documenting the landscape and coastline through drawing and photography and recording my thoughts and observations in writing. I also researched the geology of Iceland focusing on the Mid-Atlantic Ridge and constantly shifting Eurasian and North American plates. I was particularly drawn to the Mid Atlantic Ridge and its unique partial visibility above sea level.
The first studio work combined simplified renderings of medical equipment with copies of my wife's prescription warnings cut into strips and adhered to the surface. The next series of paintings focused on the Mid -Atlantic Ridge and featured abstracted diagrammatic landscapes and invented electrocardiogram readouts.
After the residency, I returned to the studio. As the paintings evolved and new imagery emerged, I began to consider my experience in Iceland as an apt metaphor for coming to terms with grief and finding new hope in the beauty of life.
All work was completed using water based oil on wood or paper.
